Gina Prat Lilly

get in touch for collaborations, commissions, etc.

ginapratlilly [at] proton [dot] me

EDITING FIELDNOTES 7: folding the known, contributing editor (2025)

RADIO ‘Late Works: By Ear #69 - Gina Prat Lilly & Flo Ray,' Resonance 104.4FM (2025)

PERFORMANCE ‘Behind,' Alphabetical Processions at The Social (2025)

PERFORMANCE ‘AC-R,' with Flo Ray, Alphabetical Processions at The Social (2025)

EDITING Make more visible, Samuel Fisher, commissioning editor, TACO! (2025)

PROGRAMMING 'blurt ii: sonic experiments in text,' TACO! (2025)

EDITING The Day Sketch Document: LA Madeleine in Increments of Being via Voicenote by Eve Esfandiari-Denney, commissioning editor, TACO! (2025)

EDITING Resuscitator by Hesse K., commissioning editor, TACO! (2024)

EDITING FIELDNOTES 6: the destructive method, contributing editor (2024)

PROGRAMMING 'blurt: sonic experiments in text,' TACO! (2024)

WRITING ‘no crouching like today’s,' STRINGS 2 (2024)

PROGRAMMING 'MEGA TELEVISION,' Gather All The Electronics compilation album launch at Mapps Cafe (2024)

WRITING ‘iv,’ liner notes for MEGA TELEVISION compilation album by Gather All The Electronics (2024)

WRITING ‘Slanted Translations: An Interview with Rosanna Bruno,’ Anne Carson's Euripides: Takes on H of H Playbook and The Trojan Women, Classical Antiquity, vol. 42 iss. 2, University of California Press (Berkeley, 2023)

RADIO ‘Beckett & P-Orridge,’ Gather All The Electronics, Threads Radio (2023)

RADIO ‘FN/S013: Interspecies Communication,’ FIELDNOTES, Resonance 104.4 FM (2023)

WORKSHOP ‘Saturnalia,’ FIELDNOTES residential writing workshop exploring rhythm and ritual, Bidston Observatory Artistic Research Centre (BOARC) (2023)

PROGRAMMING ‘A Mountain Sailing: Experiments in Zapatista Filmmaking,’ film screening and discussion, MayDay Rooms, Antiuniversity Festival (2023)

PROGRAMMING ‘So-so Saturday: Fieldnotes readings,’ introducing Estelle Hoy and Sam Cottington, Miss Read @ HKW (Berlin, 2023)

WORKSHOP ‘Wor(l)d-building: ideas for experimenting with systems of notation and mark-making to create new words and worlds,’ FIELDNOTES writing workshop, Newham Poetry Festival (2023)

PROGRAMMING ‘Grab A Tent Everybody,’ Gather All The Electronics music festival (2023)

PROGRAMMING ‘Documenting Revolutionary Cuba: Chris Marker's ¡Cuba Sí! and Agnès Varda's Salut les Cubains,’ film screening and discussion with Chris Hayes, Hoxton Cabin (2023)

RADIO ‘FN/S012: we want to know: are you feeding the machine or is the machine feeding you? ,’ FIELDNOTES, rtm.fm (2023)

WRITING ‘Myth-making and shaking: David Cannon Dashiell,’ Visual AIDS (New York, 2023)

WRITING ‘In which the body is a boxer and language is clay,' review-response to Omid Asadi’s film Scuffle Tussle Struggle (2022) for New Voices Peer to Peer: UK/HK (2022)

WRITING ‘Poikilos,’ An Engine for Thinking (2022)

EDITING An Engine for Thinking, co-editor, RCA MA Writing in collaboration with the Warburg Institute (2022)

PERFORMANCE ‘Communist Erotics: The Rising of the Fucking Masses,’ Internal Object (2022)

EDITING Punk and Politics pamphlet series with Internal Object (2022)

WRITING ‘Ruminations on Surfeit,’ DreamsTimeFree: Soft Tissue, TACO! (2021)

WRITING ‘Crumminess,’ Dead Lovers: Cookie Mueller, in collaboration with Rose Higham-Stainton, Zoë Frost, Sophie Paul and Kaiya Waerea, Sticky Fingers Publishing (2021)

WRITING ‘The Vaccuum of my Bedroom Window,’ The Paper, (Glasgow, 2021)

WRITING ‘Learning Boundaries; or Can I pick your scabs,’ FDBNHLLLTTFBELONGING, Sticky Fingers Publishing (2020)

WRITING ‘The Pornographic GIF: A Navigation,’ Synoptique: Journal of Moving Image Studies 9.1 (Quebec, 2020)

About

MA Writing

Royal College of Art (2023)

BA Liberal Arts

King's College London (2019)